By David Noel Freedman
ISBN-10: 1575060388
ISBN-13: 9781575060385
From the Preface: "The alphabetic acrostic is among the most simply identifiable poetic varieties within the Hebrew Bible. Examples are available in prophetic discourse (Nahum), the lament over the destruction of Jerusalem (Lamentations), liturgical tune (Psalms), and knowledge literature (Proverbs). but its very obviousness has tended to deflect deeper exploration of its constitution and function. due to the fact that Mowinckel denigrated the acrostics within the Psalms as a 'disintegration of style,' too usually students have easily famous after which neglected the form.
"There isn't any a priori cause that alphabetic acrostics may be much less inventive, expressive, or complicated than different psalms. hence the essays accumulated right here examine the acrostic layout as a sound alternative for Israelite poets instead of because the safe haven of uninspired epigones....The fruit of over 20 years' shut examining of those psalms, the subsequent essays demonstrate the poets' consummate mastery of the challenging acrostic shape and deserve incorporation in destiny discussions of biblical poetic art."
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Additional info for Psalm 119: The Exaltation of Torah
Example text
In spite of repeated efforts on the part of scholars to supply supposedly missing words in these verses through conjectural emendation (Will Soll’s misguided efforts are only the latest in the series), 11 we note that there are 2 of these “defective lines” in the first half of the poem and 2 in the second and conclude that these lines are also correct as they stand, at least in regard to the presence or absence of key words. Each of the remaining 5 lines of the poem has 2 examples of key words (vv.
If we were to adopt this emendation rather than the one in v. 168, then the numbers for the feminine key words would be as follows: (1) ªmrh (2) mßwt 19 21 (4) twrh (3) ºdwt 25 23 = 44 = 44 Certainly, this arrangement is just as symmetrical as the other proposal, and there is something especially appealing about the sequence 19, 21, [[746]] 23, 25. On the other hand, this proposal would result in a further slight disruption of the balance between the two halves of the poem, so that instead of the present 88/89 balance in the MT and the 88/88 achieved by the earlier proposal, now we would have an uneven count: 87/89.
145 v. 169 v. 176 6+4+9 = 19 5+5+7 = 17 6+7+9 = 22 10+5+8 = 23 6+5+7 = 18 4+8+9 = 21 8+5+6 = 19 5+6+8 = 19 5+6+9 = 20 6+5+6 = 17 5+6+9 = 20 7+5+9 = 21 Some of our tricola-line conjectures are more persuasive than others, but a reasonable case can be made for at least half (6) of them, which is the compromise we have adopted elsewhere. Added to the basic 352, that gives us 358 cola, while if we added all of them (12), the total of 364 would be very close to the total for all of the other psalms together.
Psalm 119: The Exaltation of Torah by David Noel Freedman
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