By Vincent Benitez
ISBN-10: 0203935586
ISBN-13: 9780203935583
ISBN-10: 0415973724
ISBN-13: 9780415973724
Olivier Messiaen: A study and knowledge consultant is a different bibliographical source that provides the reader with the main major and priceless assets on Olivier Messiaen, one of many 20th century's maximum composers, released among 1930 and 2007. An introductory bankruptcy deals a brief biography of Messiaen, a attention of his musical kind and works, and a dialogue of Messiaen reviews. Chapters 2 and three pay attention to the first literature, equipped round manuscript collections, articles and stories, pedagogical works, lectures and librettos, prefaces, interviews, correspondence, and documentaries and filmed performances. Chapters four via nine concentrate on the secondary literature, particularly, biographical and stylistic reports, topical examinations, discussions of specific works, bills of Messiaen in works dedicated to different subject matters, experiences of books and important performances of Messiaen's tune, and examinations of resource fabrics on the net. an inventory of works and a specific discography finish the publication.
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Example text
In the first half of the review, Messiaen comments upon the work, noting aspects of melody, harmony, texture, and timbre. In the second half of the review, he praises Loriod’s performance, viewing it as extraordinary, considering the fact that she learned the concerto in eight days. 59. Messiaen, Olivier. ’’ Ope´ra (19 December 1945): 10. 60. Messiaen, Olivier. ’’ Contrepoints 3 (MarchApril 1946): 73–75. Reprint, La Revue musicale 306–7 (1977): 35–37. ISSN: 0768–1593. A response to an inquiry by Fred Goldbeck, a French journalist, sent out to different French composers in the mid-1940s, querying them about their compositional poetics.
Messiaen singles out the extraordinary eclecticism of De´sormie`re’s choice of programs for his concerts and expresses his admiration for De´sormie`re’s performances of Debussy’s Pelle´as et Me´lisande at the Ope´ra-Comique from 1946–49. Messiaen also notes how De´sormie`re conducted the world premiere of the Trois petites Liturgies de la Pre´sence Divine on 21 April 1945 and the French premiere of the Turangalıˆla-Symphonie on 25 July 1950. Finally, Messiaen discusses the bond shared by De´sormie`re and Boulez as seen not only through ‘‘De´so’s’’ (a nickname given to De´sormie`re by a critic after he conducted the world premiere of Boulez’s Soleil des eaux) support 28 Olivier Messiaen: A Research and Information Guide of Boulez’s music but also through comparisons of De´sormie`re and Boulez as conductors.
In a ceremonial speech as president of the Acade´mie des BeauxArts, Messiaen welcomes the recently elected Marc Saltet to the Primary Sources I 29 organization’s seat in architecture made vacant by the death of its previous occupant, Charles Lemaresquier. Messiaen reviews Saltet’s curriculum vitae, lauds his accomplishments as an architect, and mentions the time when Saltet invited him to come to Versailles and Trianon in order to hear their birds. He accepted and was delighted by what he had experienced during his visit.
Oliver Messiaen: A Research and Information Guide: A Research and Information Guide (Routledge Music Bibliographies) by Vincent Benitez
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