By Barbara Willis
During this detailed and gorgeous publication, cherished doll-designer Barbara Willis courses readers via a variety of techniques to doll layout and easy and complicated development innovations. research this artwork throughout the construction of 3 whole step by step initiatives.
Read or Download Cloth Doll Artistry: Design and Costuming Techniques for Flat and Fully Sculpted Figures PDF
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Additional info for Cloth Doll Artistry: Design and Costuming Techniques for Flat and Fully Sculpted Figures
5 Draw in the pupil with a black Pigma pen, letting the pupil circle touch the top edge of the oval. Enhance the top eye line again with black Pigma pen. Most people ﬁnd that there is one side of the face that is easier to draw than the other. When you begin to draw the features, work on the more difﬁcult side ﬁrst, and then follow with the easy side. This is something I learned years ago when making porcelain doll faces. If you do your best work on the easy side, it will be hard to match the work on your hard side.
6 Pin the legs to the torso back as shown and stitch them in place by machine (C). 7 Pin and whipstitch the center crotch closed and then from the center crotch out to one side. This attaches one leg completely to the torso but leaves one leg open so you can ﬁnish stufﬁng the torso. Finish stufﬁng, and then whipstitch the remaining leg to the torso. indd 53 2/16/09 10:54:12 2:40:09 PM 2/24/09 AM Text Job:01256 Title: Cloth Doll Artistry (Rockport) Page:53 Creating the Arms and Hands The following directions explain how to make a wired elbow and a hand with ﬁngers and a thumb.
7 Tie lengths of ribbon into bows at each knee, if desired. 8 cm). Fold it in half, right sides together, and sew a center back seam with a ¼" (6 mm) seam allowance. 3 cm); press. Handsew or machine-stitch to hem. Handor machine-sew trim, lace, or rufﬂes to the hemmed edge as desired. 3 Trim loose threads and neaten the raw waist edge. Hand-sew a running stitch near the top edge with heavy nylon thread. Leave long thread tails and no knots. Making the Optional Overskirt or Apron Making Optional Side Flounces This layer is optional, but I like the added texture and visual interest it creates.
Cloth Doll Artistry: Design and Costuming Techniques for Flat and Fully Sculpted Figures by Barbara Willis