By G. Atkins
ISBN-10: 1137399821
ISBN-13: 9781137399823
ISBN-10: 1349485969
ISBN-13: 9781349485963
In a clean studying of Gulliver's Travels and A Portrait of the Artist as a tender guy, Atkins attracts parallels among the protagonists: either Lemuel Gulliver and Stephen Dedalus flee from the burdens of existence, looking a transcendent life. The examine sheds very important new gentle on either novels as crucial reviews of contemporary misunderstandings.
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Additional info for Swift, Joyce, and the Flight from Home: Quests of Transcendence and the Sin of Separation
Sample text
He then launches into this internal tirade, which confirms the darkness and evil within him: . . she was a figure of the womanhood of her country, a batlike soul waking to the consciousness of itself in darkness and secrecy and loneliness, tarrying awhile, loveless and sinless, with her mild lover and leaving him to whisper of innocent transgressions in the latticed ear of a priest. His anger against her found vent in coarse railing at her paramour, whose name and voice and features offended his baffled pride: a priested peasant, with a brother a policeman in Dublin and a brother a potboy in Moycullen.
While sacrificing hands upraise The chalice flowing to the brim, Tell no more of enchanted days. And still you hold our longing gaze With languorous look and lavish limb! Are you not weary of ardent ways? 10 It is critical that we understand the origin of the verses: Stephen had seen Emma Cleary some time before this writing, and the sight of her again sends him off into paroxysms of desire, frustration, anger, and imagination. He sleeps, eventually, his “soul” said to become—suggestively—“all dewy wet”; then it awakens, and he thinks “The night had been enchanted.
3 The Laputans are indeed strange: Gulliver says, immediately, that he had “never till then seen a race of mortals so singular in their shapes, habits and countenances. 0006 Swift, Joyce, and the Flight from Home principal objects of Swift’s scathing and unrelieved satire. This is, indeed, strangeness without reality, wrought with the (parallel) separation of sense and reason, the heads of the Laputans lost (as we just observed) in the air yet in charge and dominating: Their houses are very ill built, the walls bevil, without one right angle in any apartment, and this defect ariseth from the contempt they bear for practical geometry, which they despise as vulgar and mechanic, those instructions they give being too refined for the intellectuals of their workmen, which occasions perpetual mistakes.
Swift, Joyce, and the Flight from Home: Quests of Transcendence and the Sin of Separation by G. Atkins
by Christopher
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