By Dr. Maaike Zimmerman, Dr. Roelf Barkhuis
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Extra resources for Ancient Narrative 1. (2000-2001).
1993. Karnevaleske Phänomene in antiken und nachantiken Kulturen und Literaturen. Trier. J. and S. Swain, eds. 1997. Portraits: Biographical Representation in the Greek and Latin Literature of the Roman Empire. Oxford. , ed. 1999. Critical Essays on Mikhail Bakhtin. New York. Emerson, C. and S. Morson. 1990. Mikhail Bakhtin: Creation of a Prosaics. Stanford. Fowler, A. 1981. Kinds of Literature. An Introduction to the Theory of Genres and Modes. Cambridge, Mass. Goodman, N. 1978. Ways of Worldmaking.
Such time is fundamentally unlike the adventure time of Greek romance precisely because it leaves “a deep and ineradicable mark” on the hero. ” What clearly differentiates this time from that of Greek romance however, is that the “logic of chance is subordinated to another and higher logic” (116). Thus while most events in the novel are determined by chance, both the initial and the final links in the series are not. The initial link is determined by Lucius and reflects his personality, his curiosity, when he decides to experiment with magic.
In fact, the characterization of the dialogues implied in this observation seems to be generally accepted among classical scholars. This consensus is exemplified by the fact that two monographs published during the last decade of the twentieth century, while proposing widely diverging views on the value of Plato’s dialogues as evidence for Socrates’ teaching, at least agree on their fictional nature: Socrates, Ironist and Moral Philosopher by the late Gregory Vlastos (1991) and Charles Kahn’s Plato and the Socratic Dialogue: The Philosophical Use of a Literary Form (1996).
Ancient Narrative 1. (2000-2001). by Dr. Maaike Zimmerman, Dr. Roelf Barkhuis