Read e-book online The Musical: A Research Guide to Musical Theater and Film PDF

By William A Everett

ISBN-10: 0415942950

ISBN-13: 9780415942959

In addition to being essentially the most renowned and available genres, musical theatre is without doubt one of the such a lot collaborative arts; related to composers, writers, visible artists, performers, directorys. choreographers, brokers, critics and audiences. e Musical is the 1st large-scale annotated bibliography of this topic and covers the 'Broadway' musical in addition to the movie musical and musical types all over the world. Sections contain: normal histories; musical theatre surveys; movie musicals; creators and works; performers; functionality experiences; periodicals; units and sequence of published fabric; discographies; and recorded anthologies.

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Extra info for The Musical: A Research Guide to Musical Theater and Film (Routledge Music Bibliographics)

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For each show, Miller discusses specific characters and their motivations, textual and musical themes, historical and cultural contexts, and production aspects. The titles of the subsections demonstrate Miller’s wit; for example, “Reading is Fundamental” for his discussion of Passion’s Fosca and Giorgio or “Dot by Dot” for the section on Sunday in the Park with George’s Dot. The following shows are included in the book: Camelot, Chicago, The King and I, March of the Falsettos, The Music Man, Passion, Ragtime, and Sunday in the Park with George.

37 (10 September 1996): 45, 50, 56. The author suggests that more lesbians should develop a love for musicals, noting that most lesbians dislike show tunes because Broadway musicals typically eschew direct emotion. She remarks on the strong women’s roles in many film musicals. 44 The Musical 170. Wall, Carey. ” In Lawson-Peebles, pp. 24–43. Wall explores connections between the post-Oklahoma! Broadway musical and the American business ethic, as well as America’s involvement in that ethic. He cites How to Succeed in Business without Really Trying and All That Jazz as examples in his discourse.

Focusing on the post-Rodgers and Hammerstein developments (Rodgers and Hammerstein appear in the fifth of seventeenth chapters), Lewis discusses revivals, “Cirque du Disney” (as he calls Chapter 16), and other turn of the twenty-first-century trends. A discography is included. 110. Loney, Glenn, ed. Musical Theatre in America: Papers and Proceedings of the Conference on the Musical Theatre in America. Westport, CT and London: Greenwood, 1984. 441 p. ISBN 0-313-23524-4. C66 1981. In April 1981, the Musical Theatre in America Conference, jointly sponsored by the American Society for Theatre Research, the Sonneck Society (now the Society for American Music), and the Theatre Library Association, took place at the C.

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The Musical: A Research Guide to Musical Theater and Film (Routledge Music Bibliographics) by William A Everett


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