By Molière, Martin Sorrell
The NHB Drama Classics sequence offers the world's maximum performs in reasonable, hugely readable variants for college kids, actors and theatregoers. The hallmarks of the sequence are available introductions (focussing at the play's theatrical and old heritage, including an writer biography, key dates and proposals for extra studying) and the full textual content, uncluttered with footnotes. The translations, by means of major specialists within the box, are actual and notably actable. The variants of English-language performs contain a word list of bizarre phrases and words to help understanding.
Moliere's masterpiece The Miser is likely one of the most renowned French performs of all time. This Drama Classics variation is translated and brought by way of Martin Sorrell, Professor of Literary Translation on the college of Exeter.
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Additional info for The Miser: Full Text and Introduction
Example text
So I’m not allowed to swear at misers? HARPAGON. Yes, but you’re not allowed to be insolent and spout rubbish. So shut up. LA FLÈCHE. I name no names. HARPAGON. One more word … LA FLÈCHE. If the caps fits … HARPAGON. Will you shut up! LA FLÈCHE. I’ll try. HARPAGON. Ah, so you … LA FLÈCHE (showing the pockets of his tunic). Here, another pocket. Satisfied? HARPAGON. Come on, give it back, don’t make me search you. LA FLÈCHE. What this time? HARPAGON. Whatever it is you’ve stolen. LA FLÈCHE. Nothing.
HARPAGON. Eh? LA FLÈCHE. Beg pardon? HARPAGON. What are you saying about thieving? LA FLÈCHE. I said that you’re searching everywhere to see if I’ve been thieving. HARPAGON. Exactly. ) LA FLÈCHE (aside). A plague on misers and avarice. HARPAGON. What? LA FLÈCHE. What, what? HARPAGON. What are you saying now about misers and avarice? LA FLÈCHE. I said, a plague on all misers and avarice. HARPAGON. Who do you mean? LA FLÈCHE. Misers. HARPAGON. Who are they? LA FLÈCHE. Beady-eyed scrooges. HARPAGON.
What? Seigneur Anselme is highly eligible, he comes from an old family, he’s very well bred, a man of the world, and he’s very rich too. And there are no children surviving from his first marriage. Who could ask for more? VALÈRE. True. But your daughter might argue that this is rushing things, that she needs more time to get used to the idea, the person – HARPAGON. It’s a fantastic, unrepeatable offer, for one reason alone. No dowry! He takes her without a dowry. I don’t have to pay a thing! VALÈRE.
The Miser: Full Text and Introduction by Molière, Martin Sorrell
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