ISBN-10: 1443840270
ISBN-13: 9781443840279
The increase of social networking and open-source know-how, the go back of community-focussed actions (e.g. gardens, knitting teams, nutrition cooperatives) and artistic collectives around the fields of layout and the visible arts have reawakened the discourse round human capital, flat buildings and collectives as a way for ‘making’ the issues of lifestyle. because the essays awarded during this assortment illustrate, there's an rising box of discourse concerning the power of the collective as an setting up and generative group constitution that hyperlinks creativity, social switch and politics. additionally it really is transparent that during this constructing context there are various concerns significant to layout perform, equivalent to authorship, enterprise and aesthetics which are within the strategy of re-assessment and critique. Bringing jointly perspectives of practitioners, historians and theorists, this quantity examines the etymology, barriers and practices that the belief of the collective presents. it's greatly organised into sections on structure, electronic applied sciences and counter-cultural practices and contains historic and modern debts of layout collectives from quite a number disciplinary viewpoints.
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Extra info for The Design Collective: An Approach to Practice
Example text
S Paper prints. (the author) Inscription as a Collective Practice Fig. 3-9. Communications (detail). 42 m. (the author) 51 52 Chapter Three “Communications” is intended to be experienced in its printed state rather than in its digital state: relationships only emerge when you see the whole. 62 metres long, given that the font chosen for the email text, Verdana 9pt, is similar to that of the original emails, the print echoes “Volant” in seeming to literally measure the scope of the networked thinking which fostered and enabled this project to happen (Fig.
We see variation occurring not just between forms, but between and across a formal event and a social narrative. A slightly messy intricacy is produced through this transductive movement-texture of the Ordos video—that I would suggest is then materialised in the hairiness of the Afterparty. Across these two projects, we might begin to recognise a certain style particular to MOS—a way of doing things, and a movementtexture. But in constituting and developing their style by working transductively across dimensions, there is an ongoing individuation at work, which unfurls the potential of parametricism’s love of differential repetition.
For example, conversations, workshops, interviews and other engagements with Perinatal Unit staff, mothers, birthing partners and other hospital workers have been a part of each of the works, and have fed directly into their content. It is not surprising that text is present in all of the works, used in some cases to construct the form of the work as well as to allude to its meaning. Until TOSW, all taking place productions had been text, process and performance based. Despite this, the individual practice of most taking place members incorporates drawing and digital and photographic image making.
The Design Collective: An Approach to Practice
by Charles
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