By Keely Byars-Nichols (auth.)
ISBN-10: 1137389184
ISBN-13: 9781137389183
ISBN-10: 1349482285
ISBN-13: 9781349482283
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Sample text
In their texts, writers such as Harriet Beecher Stowe, Frederick Douglass, Walt Whitman, and Harriet Jacobs explicitly address slavery, or the Civil War, and its aftermath; others, while not explicitly naming the particulars of the conflict, construct allegorical narratives influenced by the division of the nation over the issue of personal freedom. Writers like Emily Dickinson and Nathaniel Hawthorne addressed issues inherent in this period of our nation’s history by more generally exploring issues of identity and insider/outsider dichotomies.
They did not assume the “natural” or “self-evident” character of their societies . . Black Atlantic communities like Birchtown sought to redeem gross violence of enslavement, the confusion of diaspora, and the arbitrary imposition of race. [They] forged new common identities and envisioned new common destinies. They developed rituals of worship that dramatized the radical disruption and regeneration of their lives. (88) To add to this cultural diversity, some Birchtown families even retained their native female-led family structures (91).
Keely Byars-Nichols. The Black Indian in American Literature. New York: Palgrave Macmillan, 2014. 1057/9781137389183. 1057/9781137389183 The Black Indian in American Literature On September 18, 1850, the Fugitive Slave Law was passed by the United States Congress. This law strengthened an earlier act passed in 1793 by making explicit the fines and punishments white Northerners would face by harboring or in any way assisting slaves who had escaped to the North. In essence, this law expanded slavery, since it made individuals in free-states accountable for enforcing slavery.
The Black Indian in American Literature by Keely Byars-Nichols (auth.)
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