By Morton Schoolman
ISBN-10: 0203010892
ISBN-13: 9780203010891
ISBN-10: 0415930286
ISBN-13: 9780415930284
Morton Schoolman develops a desirable and fully new interpretation of the paintings of Horkenheimer and Adorno.
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Additional resources for Reason and Horror: Critical Theory, Democracy and Aesthetic Individuality
Example text
Acknowledged to be unknown, different in their depths from how they appear, surfaces cease to be reducible to deeper, shared properties that would blind the poet to the differences among them by urging him to attend to their commonalities. As for Adorno, for Whitman differences appear among surfaces when surfaces are acknowledged to be unknown in their depths. Poetic creativity is inspired by surfaces that by virtue of their differences each become highly visible and absorbing, and to which the poet becomes receptive when out of a recognition of the unknown he cultivates an indifference to fathomless differences in their depths, an indifference to the identity of difference.
With my revision of Tocqueville’s conceptual framework, however, now the passion for equality also means overcoming all small differences. This third step shows how the equality of condition produces in individuals a relationship to the widest sort of differences that continually proliferate within democracy and allows us to raise the issue that places us on the threshold of redescribing Tocqueville’s argument in the aesthetic terms I culled from my examination ofWhitman. How does the passion for equality fueled by the equality of condition express itself?
9 If this conception of reason appears implausible, it may already have been forgotten that its recognition must be the fruit of an aesthetic sensibility to the violence to difference inherent in thought awakened by the onslaught of barbarism. This is one of the dilemmas of modernity thrust on us by enlightenment, a dilemma of which Horkheimer and Adorno were painfully aware. When cultures that are wholly the products of enlightenment believe their practices to be immune to such evil, the long historical process of enlightenment has purged their capacity to reflect upon the violence to difference hidden within the distant origins of their own cultural forms of thought.
Reason and Horror: Critical Theory, Democracy and Aesthetic Individuality by Morton Schoolman
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