By Mark Voelpel
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Additional resources for Charlie Parker For Guitar
MB: I had lines drawn on the prints of the cartoons that I used for recording. The lines would show on the screen so that the whole orchestra could see them, and that’s how I got my beat when I was conducting. When I was composing the music for Gallopin’ Gaucho and Plane Crazy, the two silent pictures, I had the cartoons shown at the theater where I worked, so that I could decide what music would be appropriate. I was having trouble figuring out how to get the music synchronized with the picture, then I hit on the idea of drawing ‘half-moon’ lines on the film that started on the left side of one frame, then moved to the right across the following frames, and then back toward the left, with the beat occurring when the line returned to the left side of the screen.
Funnyworld, Volume 18 (Summer 1978). Care, Ross. ” Wonderful Inventions, Iris Newsom, Editor. : The Library of Congress (1985). 36 An Interview with Carl Stalling by MIKE BARRIER Carl Stalling was the person most responsible for changing people’s notions of how much could be accomplished in a seven-minute cartoon score. Stalling was born in Lexington, Missouri, on November 10, 1891. While he did not score Steamboat Willie (1928), he wrote the music for the first dozen Mickey Mouse cartoons, while simultaneously inspiring Disney’s second series of shorts, the Silly Symphonies, which he also scored for a year.
He seemed to have an endless variety of numbers in his repertoire, and when he really got wound up and going good he seemed to have an equally endless number of his own tunes. Frank’s music was melodic and uncomplicated, and you could whistle or hum it easily. I believe Leigh Harline had a much broader musical education than Frank, and his music seemed quite dif28 Make Walt’s Music ferent. ” Walt and Music But what, exactly, was Walt Disney’s actual role in all this? From most reports, while he was not a musician, Disney’s sense of what worked for his films, as well as what appealed to the public musically, was as keen as his brilliant story editing skills.
Charlie Parker For Guitar by Mark Voelpel